With over 700 ethnic groups live throughout the archipelago for centuries, Indonesia boasts diversity of ethnicities and cultures, one of which is reflected in its traditional dances. Each ethnic group has their own traditional dances — making more than 3,000 Indonesian original dances in total.
Traditional dances in Indonesia are usually classified into two genres, folk dance and court dance —those performed only in the palace in front of kings and royals. However, as the time flies by, court dances started to be performed in public stages.
Here are some popular Indonesian traditional dances we can still see today.
Cakalele (North and Central Maluku)
This war dance is performed by men wearing traditional war costumes: two of them play captains or leaders while the rest are the supporting warriors. The dance involves spears (sanokat) and long knife (lopu) as properties, with dancers performing movements that represent war and duels.
Merak (West Java)
Merak (means peacock) is a new creation from the land of Pasundan (West Java), created by artist Raden Tjetjep Soemantri in 1950s and remade by Irawati Durban in 1965. This dance is usually performed as part of a guest-welcoming ceremony or in a traditional Sundanese wedding ceremony. Dancers wear mostly green and blue peacock costumes. Irawati Durban also recreated the dance and came with White Merak Dance (Tari Merak Bodas) in which dancers are wearing white peacock costumes.
Sanghyang Dedari (Bali)
Sanghyang Dedari is a sacred dance performed in Bona Village, Gianyar, Bali. The dance was thought to be extinct until a research team found that the dance was still performed in the village of Geriana Kauh, North Duda, Karangasem, Bali — the only place that still preserves Sanghyang Dedari on stage.
The dance used to be performed before the rice turn yellow (around April), involving young girls who haven’t yet entered their menstrual phase, in a state of trance, as a tribute to Dewi Sri — the goddess of crops and fertility.
Sendratari Ramayana (Yogyakarta and Bali)
This dance is a show that combines dance and drama without dialogue that tells the legend of Ramayana. Sendratari Ramayana — or Ramayana Ballet — tells the story of Prince Rama's attempt to save his wife Sinta, who was kidnapped by evil giant Ravana. The dance is regularly staged in Prambanan temple compound, Yogyakarta, as well as various Balinese temples in Bali Island. The dance is originated from the Hindu-Buddhist era, adopting scenes in Ramayana or Mahabharata Hindu epic.
Bedhaya (Solo and Yogyakarta)
It’s a Javanese sacred ritual dance of the royal court, only to be staged in the royal palaces of Yogyakarta and Surakarta. There are two kinds of Bedhaya, Bedhaya Ketawang in Solo, Bedhaya Semang in Yogyakarta — which is no longer performed. The Solo version is still performed once a year, on the second day of the Ruwah month in Javanese calendar (during May in Gregorian calendar).
The dance involves nine females, all of them are royal family members, in front of a private audience. Being invited to see the performance with the inner circle of the court is considered an honor. The dance is usually performed in a pendhapa —audience hall with pillars and peaked roof.
Originated in the 18th century as royal entertainment, Legong is characterized by elaborate finger and foot movements, as well as sharp face expression.
According to Babad Dalem Sukawati, Legong dance was created based on the dream of Sukawati King I Dewa Agung Made Karna. He dreamed of seeing angels dancing in Heaven. They danced in beautiful clothes and wore golden headdresses, and thus he created the Legong dance. It’s originated from the Hindu-Buddhist era.
Gending Sriwijaya (Palembang)
Originating in Palembang, South Sumatera, Gending Sriwijaya represents the splendor of the glorious Sriwijayan empire, which once ruled the western part of the Indonesian archipelago, as well as parts of modern-day Thailand, Cambodia, Malaysia, Singapore, Philippines, and Brunei.
The dance involves nine female dancers, wearing Palembang traditional gilded costume called Aesan Gede, which is also worn as a wedding costume. Among the dancers, there’s one prime lady who wears the most elaborate costume and jewelry and acts as a leader. Gending Sriwijaya was once considered a court dance with hints of Hindu-Buddhist elements although the costume is more covering.
Jaipongan (West Java)
Jaipongan is a Sundanese signature folk dance created by artist Gugum Gumbira in 1974 based on traditional Sundanese Ketuk Tilu music and Pencak Silat (traditional martial art) movements. The dance belongs to the neo-traditional genre, which was born after President Soekarno prohibited rock and roll and other western genres of entertainments in 1961. There are various kinds of Jaipongan, including Jaipongan Langit Biru and Jaipongan Bunga Tanjung.
Kuda Lumping (Java)
Kuda Lumping dance depicts Javanese troops riding horses made of bamboos and decorated with paints and ornaments. Sometimes, the dancers perform in a state of trance and display some extreme abilities such as eating pieces of broken glass or walking through burning charcoals. It’s originated from the prehistoric-tribal era.
Also known as the Ramayana Monkey Chant, kecak is usually performed by 150 men wearing poleng — Balinese sacred checked cloth — around their waists. They sit in a circle, chanting “cak... cak... cak...” percussively with their hands up in the air. The dance portrays some scenes in Ramayana epic.
Barong Dance (Bali)
The dance depicts an eternal battle between Barong —a lion-like creature represents the good— against Rangda —a demon queen and mother of all evil creatures in Balinese mythology. In general, Barong dance represents the battle between good and evil.
Saman is a popular dance originated from Gayo ethnic group from Gayo Lues, Aceh, Sumatera. It’s performed by dancers sitting in line, and characterized by harmonious, speedy movements of arms, head, and upper body shown by dancers. Saman is a heritage of the Islamic era.
Most traditional costumes of Indonesian ethnic groups are equipped with a headdress that add a majestic look to the intricately designed outfits. From Aceh to Papua, brides are seen with crowns, paes (Javanese head ornaments), gold jasmine flowers, and other over the top head accessories.
Here are some of them.
Jamang or sometimes called Siger is the head jewelry worn on the forehead. It is worn encircling the head resembling a headband, usually adorning the forehead, starting from the top of the forehead to the temple.
Jamang is a complement to various Indonesian traditional costumes, especially in Java, Sunda, Bali, Lampung, Palembang and West Sumatra as it is usually worn to match a wedding dress or traditional dancer’s clothing.
Today, it’s made of brass and adorned with man-made gemstones. But in the past, as worn by royals, jamang was made of gold or silver and adorned with real diamonds and other precious stones.
Gelungan Agung is a crown and head ornaments used by Balinese royals in the past and is now adopted to a Balinese traditional wedding costume, Payas Agung. For the bride, the Gelungan Agung is formed with the arrangement of golden sandat flowers, ornamented with golden crown and srinata (gold symmetrical curvature on the forehead). For the groom, it’s formed with sandat flowers in smaller quantities and equipped with a crown known as gelung garuda mungkur.
Suntiang is a highly-intricate traditional headdress in Minangkabau, West Sumatra. As any other traditional headdress in Indonesia, suntiang also adopted to Minangkabau’s wedding outfits. There are various kinds of suntiang in Minang culture, such as Pisang Saparak (originated from Solok Salayo), Suntiang Pinang Bararak (from Koto Nan Godang Payakumbuh), Suntiang Mangkuto (from Sungayang), Suntiang Kipeh (from Kurai Limo Jorong), Suntiang Sariantan (from Padang Panjang), Suntiang Matua Palambaian and several more. Each and every suntiang has its own uniqueness and cultural values.
Some suntiang consists of 11 layers of ornaments and the installation process is quite complicated. As seen, suntiang is quite heavy. Brides have to bear a five-to-six kilograms suntiang perched on their heads for hours.
Tengkuluk Tanduak, also known as Tikuluak Tanduak, is a typical women’s headdress made of balapak cloth, mainly seen in Lintau Buo region of Minangkabau, West Sumatra. The headdress is shaped like a double-pointed horn, decorated with gold ornaments. The symbolic meaning of this fixture is the possession of rumah gadang, Minang traditional house. That is, the person wearing it is a bundo kanduang, the owner of a rumah gadang.
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Siger is a crown by Sundanese queens and princesses in the past and has been adopted as a part of today’ Sundanese bridal and dance costume. The headdress represents wisdom and honor as prominent qualities within oneself to be upheld. The crown is often accompanied by kembang goyang, seven flower-shaped ornaments —five front-facing and two rear-facing— symbolizing inner and outer beauty.
Palembang siger is a complement for Aesan Gede, Palembang traditional outfit worn by royals during the Great Kingdom of Sriwijaya era. The outfit — now adopted as Palembang wedding costume — symbolizes the wealth of Sriwijaya, with red songket cloth and golden embroidery all over it.
Sigokh or Lampung Siger is an icon which represent Lampung in general. In the past, siger used to be a headdress for queens, but today it has been adopted as a complement for Lampung’s traditional wedding outfit. There are three variants of siger, according to their origins. Siger Saibatin that comes from coastal regions in Lampung province, which mainly inhabited by Saibatin ethnic group; Siger Pepadun that comes from the mountainous regions in the province, where Pepadun ethnic group lives; and the last one, Siger Tuha, an ancient crown originated from Hindu-Buddhist era in Lampung.
We've heard about batik, but batik is not the only fabric Indonesia has. With hundreds of ethnic groups, Indonesia has thousands of colorful traditional fabrics — all are equally beautiful and unique, each with its own meaning and values.
Here are some of Indonesia's most popular fabrics.
Batik is Indonesia's most prominent traditional textiles, originating from the island of Java. Traditionally, batik is made of natural materials, such as cotton and silk, or a mixture of both, using natural dye and wax that created the fabric's beautiful and calm natural colors. Batik is made by applying hot wax onto white plain cloth, forming desired patterns and then dyeing it with colors. The cloth is then washed and boiled in water several times before it can be used.
Javanese batik is divided into two types: batik pedalaman (or Kraton batik) and batik pesisir (coastal batik). Batik pedalaman, also known as classical batik, came from Javanese royal tradition, especially in Yogyakarta and Surakarta (Solo). It was originally made for royals and aristocrats and has many traditional values and meanings. Batik pedalaman usually has geometrical patterns and comes in calm, dark colors, such as deep brown, light brown or deep blue.
On the contrary, batik pesisiran, thanks to its Chinese, Indian and Arabian influence, is brighter in colors and more dynamic in patterns. More vivid colors often seen, such as red, green, fuchsia, blue and yellow. Patterns like flowers, bird of paradise, or butterflies also often seen in batik pesisiran.
Sasirangan is a custom fabric of Banjar tribe in South Kalimantan. Its patterns and colors are obtained from the process of staining with a barrier, using rope or yarn to form certain patterns. Compared to the tie dye fabric in general, sasirangan patterns are typically more orderly and smaller, creating the impression of grace and elegance.
Ulos is a traditional textile of Batak tribes of North Sumatra that is traditionally worn during weddings, funerals or other formal events. ulos is normally worn as a drape over the shoulder. There are many kinds of ulos for different ceremonial necessities, but in general, ulos is generally hand-woven, made using manual loom machine. In weddings, the bride and groom are bound together with one piece of ulos. In Batak culture, giving ulos (mangulosi) to friends and relatives is an expression of love and homage to the receiver.
Gringsing is a traditional fabric from Tenangan, Bali. Making one piece of gringsing takes a very long time, about two to five years, as the process is mostly done by hands, with minimum tool involved. Gringsing name was derived from two words, gring which means “sick” and sing which means “no/negative”. The fabric is believed to be the disease repellent.
Songket is a traditional Malay woven fabric. It can be found in Indonesia, Malaysia and Brunei. The hand woven fabric is usually made of silk or cotton and considered exquisite, luxurious and prestigious traditional fabric to be worn only during ceremonies, weddings, and formal occasions. In Indonesia, songket can be found mainly in Palembang (South Sumatra), Minangkabau (West Sumatra), Medan (South Sumatra), Jambi, Lombok and Bali.
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Besurek (means “written”) comes from Sumatran province of Bengkulu. It is a batik-like fabric but most of its patterns resemble Arabic scripts or calligraphy. The patterns are influenced by the elements of Islam. The making of besurek is not much different from batik, but it has brighter and bolder colors.
Tapis is a traditional woven fabric from Lampung. It is usually made in dark color, mostly black, deep red or deep green. It’s embellished with warped and couched gold threads that form the typical tapis patterns. Tapis can also be decorated with beads or small coins. Tapis is usually used during formal ceremonies and special occasions. In addition to part of wedding costume, Tapis can also be used as wall decoration. It comes with floral, geometric, or Arabic script patterns.
Lurik is a woven cloth with stripes that has traditionally been a typical rural male outfit among Javanese tribes. Made of rough cotton, the fabric is relatively cheap and affordable for the poor in the past. Now lurik has transformed into a modern cloth that is often used in modern fashion and has been made in more colors.
Ikat is woven from strings of yarn. Prior weaving process, strands of yarn are tied with plastic or rope in accordance with the pattern to be made, so that when dyed, the yarn won’t be stained with the dye.The looms used are non-electrical looms. Some areas in Indonesia famous for their ikat woven cloth are Toraja, Sintang, Jepara, Bali, Lombok, Sumbawa, Sumba, Flores and Timor.
Sutra Bugis, or Bugis silk sarongs, was originally only used to pair with baju bodo (traditional clothes of South Sulawesi). Bugis silk sarongs have different checkered patterns that used to give a clue whether a Bugis is married. The smaller checkered pattern in bright colors is called the Ballo Renni and it is made for unmarried women. While the bigger checkered pattern in bright redcalled Balo Lobang is made for unmarried men. In addition to these two patterns, there are also some other patterns in Bugis silk sarongs.
What do you think about the possibility of meeting a giant in the forest? No, it’s not a Lord of The Rings thing. A Danish artist has made it real, as he created 25 big sculptures using recycled materials and placed them all around the world, with 6 of them hidden in the forests of his hometown in Copenhagen.
Thomas Dambo spent his last three years collecting 600 old pallets, tearing down old wooden shed, shabby fences and other materials he could scavenge to build giant structures depicting various characters of human-like giants. He had some help from local volunteers to build the sculptures and he named each sculpture after one volunteer.
He also created a treasure hunt game for those who want to see his artworks in Copenhagen. Each giant was placed in different parts of the city, in off the beaten tracks. They can only be found by tracking down the path with a help of a treasure map, or a poem engraved into a stone near each giant. The poems contain hints to find the next giant.
“I hope my art will inspire people to see the big potential in recycling and taking better care of our planet,” he said.
Meet Little Tilde in the forest.
This one is Thomas who is relaxing on the mountain.
Here’s Oscar, hiding under a bridge.
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The beautiful Trine, looking at the horizon from the top of a hill.
This one is called Louis, a giant who likes to sleep under the shady roof of foliage.
And this is the Friendly Teddy who tends the riverbank.
You can find them with the hints in each poem.
Or by tracking down the path in this treasure map.
Jupiter Aerobatic Team (JAT) of Indonesian Air Force (AU) is back in action to demonstrate a thrilling visual experience during the 2017 Jogja International Air Show (JIAS) in Depok Beach Runway, Bantul, Yogyakarta on Sunday.
For four consecutive days before the event, the Yogyakarta-based seven-pilot team internationally admired for their death-defying synchronised aerobatic performance has roamed over the city's skies, drawing patterns to captivate thousand eyes of citizen with their South Korean-manufactured KT-1B Wong Bee.
In case you missed them, we've gathered some photos and footages from the JAT's official facebook page and other social media capturing their action before and during the 2017 JIAS, Monday.
1. Above the Malioboro's sky
Photo: Facebook/@Jupiter Aerobatic Team/Kusri Hatmoyo
2. 0-kilometer point of Yogyakarta
Photo: Facebook/@Jupiter Aerobatic Team
3. Bomb burst maneuver above the Prambanan Temple
Photo: Facebook/@Jupiter Aerobatic Team/Ardian MK
4. Flying above Ratu Boko complex
5. The final day of 2017 JIAS
6. Mirror maneuver by Jupiter 5 & 6
Photo: Facebook/@Jupiter Aerobatic Team/Ardian MK
7. Screw roll by Jupiter 4 Team
Photo: Facebook/@Jupiter Aerobatic Team/Ardian MK
8. Roaming above Depok Beach
9. Flying over Keraton Yogyakarta Palace
Photo: Facebook/@Jupiter Aerobatic Team
10. A bridge on the sky
Photo: Facebook/@Jupiter Aerobatic Team
11. A huge 'love' from JAT to Yogyakarta residents
. . Daebakk @jogjaflyingclub Keren bgt pertama kali dalam hidup nonton langsung beginian #jogjainternationalairshow #jogjainternationalairshow2017 #jogjaflyingclub #thejupiters #jupiters # #love #heart #runwaydepok #landasanpacudepok #pantaidepok #wonderfuljogja #explorejogja #jogja #jogjaku #jogjaistimewa #wonderfuljogja #pesonajogja #indonesia #exploreid #phonegraphy #instagram #photograph #photography @instagram
Though he's known as a serious and formidable figure, Indonesian proclamator and first president Soekarno turned out to be humorous and comical.
The former president was often caught doing his playful act with people around him. The following series of old photos will show you what we mean.
Indonesia is known to have a long history of Buddhist and Hindu kingdoms before Islam and Christianity entered the archipelago in the sixteenth century.
Those kingdoms have long gone, but traces of their civilization and sophistication can still be found today.
Candi, or temple, is an ancient heritage building from the time of Hindu or Buddhist kingdoms in the past. These temples could have been a place of worship, a gateway, or a sacred spring. They are no longer in use now and are either burnt, ruined, or decayed. However, some temples in Java and Sumatera survived the centuries and wars that we can still visit them today. Some areas in Bali and Kalimantan also still have ther traces of those temples, though mostly are in form of ruins.
We made is a list of the surviving temples that you can visit during your next holidays.
1. Candi Muara Takus, a fourth century Buddhist temple, is located in Riau Province, Sumatra.
2. Candi Kalibukbuk, a seventh century Buddhist temple, is located in Buleleng district, Bali.
3. Candi Sewu, an eighth Century Buddhist temple is located in Klaten, Central Java.
4. Candi Kalasan or Kalibening, an eighth Century Buddhist temple, is located in Sleman, Yogyakarta.
5. Candi Cangkuang, an etighth Century Hindu temple, is located in Garut, West Java.
6. Candi Ratu Boko is an eighth century Hindu temple, is located in Sleman, Yogyakarta.
7. Candi Mendut, also an eighth century Buddhist temple, is located in Magelang, Central Java.
8. Candi Sari or also known as Bendah is an eighth century Buddhist temple located in Sleman, Yogyakarta.
9. Candi Gebang is also an eighth century Hindu temple and is located in Sleman, Yogyakarta.
10. Candi Muncul or also known as Ngempon is an eighth century Hindu temple that is located in Semarang, Central Java.
11. Candi Badut is an eighth century Hindu temple located in Malang, East Java.
12. The world famous Candi Borobudur is a 9th century Buddhist temple located in Magelang, Central Java.
13. Candi Selogriyo, 9th Century Hindu Temple. Magelang, Central Java.
14. Candi Sambisari, 9th Century Hindu Temple. Sleman, Yogyakarta.
15. Candi Plaosan, 9th Century Buddhist Temple. Klaten, Central Java.
16. Candi Ngawen, 9th Century Buddhist Temple. Magelang, Central Java.
17. Candi Pawon, 9th Century Buddhist Temple. Magelang, Central Java.
18. Goa Gajah, 9th Century Buddhist Cave. Gianyar, Bali.
19. Candi Semar at Dieng Complex, 9th Century Hindu Temple. Dieng Plateau, Central Java.
20. Candi Puntadewa at Dieng Complex, 9th Century Hindu Temple. Dieng Plateau, Central Java.
21. Candi Arjuna at Dieng Complex, 9th Century Hindu Temple. Dieng Plateau, Central Java.
22. Candi Bima at Dieng Complex, 9th Century Hindu Temple. Dieng Plateau, Central Java.
23. Candi Srikandi at Dieng Complex, 9th Century Hindu Temple. Dieng Plateau, Central Java.
24. Candi Sembadra at Dieng Complex, 9th Century Hindu Temple. Dieng Plateau, Central Java.
25. Candi Dwarawati at Dieng Complex, 9th Century Hindu Temple. Dieng Plateau, Central Java.
26. Candi Gatotkaca at Dieng Complex, 9th Century Hindu Temple. Dieng Plateau, Central Java.
27. Candi Prambanan/Roro Jonggrang, 9th Century Hindu Temple. Sleman, Yogyakarta.
28. Candi Asu, 9th Century Hindu Temple. Magelang, Central Java.
29. Candi Gedong Songo, 9th Century Hindu Temple. Semarang, Central Java.
30. Candi Banyunibo, 9th Century Buddhist Temple. Sleman, Yogyakarta.
31. Candi Pringapus, 9th Century Hindu Temple. Temanggung, Central Java.
32. Candi Dukuh, 9th Century Hindu Temple. Semarang, Central Java.
33. Candi Sojiwan, 9th Century Buddhist Temple. Klaten, Central Java.
34. Candi Lumbung, 9th Century Buddhist Temple. Klaten, Central Java.
35. Candi Barong, 9th-10th Century Hindu Temple. Sleman, Yogyakarta.
36. Candi Merak, 9th-10th Century Hindu Temple. Klaten, Central Java.
37. Candi Morangan, 9th-10th Century Hindu Temple. Sleman, Yogyakarta.
38. Candi Klero/Tengaran, 9th-10th Century Hindu Temple. Semarang, Central Java.
39. Candi Ijo, 10th-11th Century Hindu Temple. Sleman, Yogyakarta.
40. Candi Padas/Gunung Kawi, 11th Century Hindu Temple. Gianyar, Bali.
41. Candi Kedulan, 11th Century Hindu Temple. Sleman, Yogyakarta.
42. Candi Gunung Gangsir, 11th Century Hindu Temple. Pasuruan, East Java.
43. Candi Bahal I, 11th Century Buddhist Temple. South Tapanuli, North Sumatra.
44. Candi Bahal II/Portibi, 11th Century Buddhist Temple. South Tapanuli, North Sumatra.
45. Candi Bahal III, 11th Century Buddhist Temple. South Tapanuli, North Sumatra.
46. Candi Muaro Jambi, 11th Century Buddhist Temple. Jambi, Sumatra.
47. Candi Belahan/Petirtaan Sumber Tetek, 11th Century Hindu Springs. Mojokerto, East Java.
48. Candi Jolotundo, 11th Century Hindu Spring. Mojokerto, East Java.
49. Candi Angka Tahun at Candi Penataran/Palah Complex, 13th Century Hindu Temple. Blitar, East Java.
50. Candi Naga at Candi Penataran/Palah Complex, 13th Century Hindu Temple. Blitar, East Java.
51. Candi Penataran/Palah Main Temple, 13th Century Hindu Temple. Blitar, East Java.
52. Candi Kidal, 13th Century Hindu Temple. Malang, East Java.
53. Candi Jago, 13th Century Buddhist Temple. Malang, East Java.
54. Candi Jawi, 13th Century Hindu-Buddhist Temple. Pasuruan, East Java.
55. Candi Tikus at Trowulan Complex, 13th-14th Century Hindu Temple. Mojokerto, East Java.
56. Candi Bangkal, 13th-14th Century Hindu Temple. Mojokerto, East Java.
57. Candi Kotes, 14th Century Hindu Temple. Blitar, East Java.
58. Gapura Wringin Lawang at Trowulan Complex, 14th Century Hindu Gateway. Mojokerto, East Java.
59. Candi Singosari, 14th Century Hindu-Buddhist Temple. Malang, East Java.
60. Candi Jabung, 14th Century Hindu Temple. Probolinggo, East Java.
61. Candi Sawentar, 14th Century Hindu Temple. Blitar, East Java.
62. Candi Surawana, 14th Century Hindu Temple. Kediri, East Java.
63. Candi Kalicilik, 14th Century Hindu Temple. Blitar, East Java.
64. Candi Rimbi, 14th Century Hindu Temple. Jombang, East Java.
65. Gapura Bajang Ratu at Trowulan Complex, 14th Century Hindu Gateway Temple. Mojokerto, East Java.
66. Candi Kedaton Tiris, 14th Century Hindu Temple. Probolinggo, East Java.
67. Candi Plumbangan, 14th Century Hindu Temple. Blitar, East Java.
68. Candi Pari, a 14th century Hindu temple, is located in Sidoarjo, East Java.
69. Candi Sumur, a 14th century Hindu temple, is located in Sidoarjo, East Java.
70. Candi Rambut Monte, a 14th century Hindu temple, is located in Blitar, East Java.
71. Candi Kendalisada, a 14th-15th century Hindu temple, is located in Mojokerto, East Java.
72. Candi Dermo, a 14th century Hindu temple, can be found in Sidoarjo, East Java.
73. Candi Mirigambar, a 14th century Hindu temple, can be found in Tulungagung, East Java.
74. Gapura Jedong is 14th century Hindu gateway you can find in Mojokerto, East Java.
75. Candi Sumberawan, a 14th-15th century Buddhist temple is located in Malang, East Java.
76. Candi Dadi, a 14th-15th century Hindu temple is located in Tulungagung, East Java.
77. Candi Tegawangi, a 15th Century Hindu Temple, that you can find in Kediri, East Java.
78. Candi Wringin Branjang is a simple 15th century Hindu temple located in Blitar, East Java.
79. Candi Cethoa 15th century Hindu temple you can find in Karanganyar, Central Java.
80. Candi Kethek, 15th Century Hindu temple located in Karanganyar, Central Java.
81. Candi Sukuh is a 15th century Hindu Temple. Karanganyar, Central Java.
82. Candi Ngetos is a 15th century Hindu temple located in Nganjuk, East Java.
83. Candi Brahu is a 15th century Hindu temple that you can find in Mojokerto, East Java.
84. Candi Sanggrahan or Cungkup is located in Tulungagung, East Java, but nobody knows the exact century it was built.